The Pool’s Tania in the Getaway Van is running at the Flea Theater’s new Tribeca home (located at 20 Thomas Street), thru December 16. General admission tickets are $25, reserved seats are $35, and a “Pool Pass” including tickets for Tania in the Getaway Van, Washed Up on the Potomac, and The Rafa Play is $60.
The Pool’s Washed Up on the Potomac is running at the Flea Theater’s new Tribeca home (located at 20 Thomas Street), thru December 16. General admission tickets are $25, reserved seats are $35, and a “Pool Pass” including tickets for Washed Up on the Potomac, Tania in the Getaway Van, and The Rafa Play is $60.
Don’t Feed the Indians, which opened November 3 at La MaMa’s Downstairs Theatre, is an examination of Native American character tropes and stereotypes through a series of vignettes. Some of the vignettes are comedic, taking on Pocahontas with a Keeping Up With the Kardashians-style reality show and recreating Native American carnival shows. Other segments veer into harsher realities, like a character recounting an academic accomplishment from his school days and the vicious sexual assault that followed.
Jamie Aderski draws from her own experiences in pregnancy and motherhood with her one-woman show Cry Baby, now playing at the PIT thru November 10. She brings a raw (and hilarious) honesty to the subject of parenthood and shatters myths of childbirth, all while enjoying a bottle of wine on-stage. This week, she sat down with Ludus NYC to talk about her creative routine, the lies hidden in diaper commercials, and why Christopher Guest is her writing inspiration.
Glassheart opened October 20 at the Access Theater, located at 380 Broadway. Tickets start at $5 with the “Five at $5” deal and are available for purchase in advance online here.
“In the empty living room of a shabby apartment, a Beast is crying. There is just enough light to see that he is monstrous, and clutching something precious to him.”
Aliens Coming, a new musical at the Peoples Improv Theater, is a comedic take on low-budget sci-fi movies with a blatant naughty streak. The plot is pulled from some of the best/worst episodes of Mystery Science Theatre 3000 with some modern touches, and it centers on two teenage girls, Brandi and Clementine, who are about to graduate from high school. They have been best friends since they were kids, but Clementine’s interest in art (and the “cool art kids” culture) is pulling them in different directions. When Brandi is abducted, however, Clementine sets out to save Brandi and the world’s genitals from a prudish alien race. Along the way, Clementine finds herself and loses her virginity, and Brandi becomes a YouTube make-up tutorial star. Really, it’s a typical coming-of-age tale of friendship and following your dreams. Nothing out of the ordinary here.
Comedy writing team Marina Tempelsman and Niccolo Aeed’s new show Unpacking: A Ghost Story Told in the Dark opens its run at HERE tonight at 7:00 PM. I was a huge fan of last year’s Room 4, which also featured Unpacking star Temesgen Tocruray, and I couldn’t wait to see what was next from this hilarious and insightful writing team. Before opening night, I sat down with Marina and Nicco to discuss the show’s novel lighting design, developing an on-stage romance, and what scares them off-stage in the real world.
Soot and Spit, playing at the New Ohio Theatre through June 17, is a celebration of artist James Castle. He was born deaf and autistic, and in his lifetime, he developed a distinctive artistic style using found objects, drawing tools he created, and a mix of soot and spit.
The New York Drama Critics’ Circle Award winners were voted on and announced on May 8, and the awards were presented at a private ceremony on May 18 at Feinstein’s/54 Below.
Piehole’s Ski End, now playing at the New Ohio Theatre, has big ambitions. According to a note published in the program, the show is meant to explore “economic and environmental dread” and provide a “thoughtful alternative to the noise” of the current political climate. Lofty goals and admirable ones in this time, but are they successful?