The term “immersive theater” has been thrown around so much in recent years that it has lost much of its meaning and purpose as a storytelling device. Punchdrunk’s Sleep No More is an example of doing it right, letting the audience explore the story as they please and have different experiences on each visit. Mamma Mia! The Party is tourist-friendly, and it’s more of an excuse for audiences to drink and dance to ABBA songs. (Not that there’s anything wrong with that!) Even the newest Broadway revival of Rodgers and Hammerstein’s Oklahoma, which is already unconventional enough, is serving corn bread and chili at intermission.
Just as audiences are starting to get immersive theater fatigue, writer Matt Cox and director Kristin McCarthy Parker (Kapow-i GoGo, Puffs) come along with a premise that is insanely ambitious, technically challenging to say the least, and gobsmackingly brilliant. Their new play The Magnificent Revengers, which is currently playtesting at the People’s Improv Theater, is a choose-your-own-adventure revenge Western. Using their phones, the audience votes on a wide range of decisions, including whether to kill or spare an enemy, buy a boat, and which of your companions will get a pretty flower. Some of these decisions may seem minor, but there are always consequences down the road.
Anthology play Broken Pieces will play its final two performances on Saturday, July 28 at 3:15 PM and Monday, July 30 at 7:15 PM as part of the Planet Connections Theatre Festivity. Before ending its run, playwright Mateo Moreno (Bohemian Valentine, Paper Airplanes) chatted about current events that shaped the show and why he challenges his audience, even if it makes them uncomfortable.
Broken Pieces, a new play by Mateo Moreno, is running as part of the Planet Connections Theatre Festivity, at the Teatro LATEA @ The Clemente (located at 107 Suffolk Street), thru July 30. Tickets are $25, benefiting Planned Parenthood. Tickets are available online here or at the door.
The Pool’s The Rafa Play is running at the Flea Theater’s new Tribeca home (located at 20 Thomas Street), thru December 16. General admission tickets are $25, reserved seats are $35, and a “Pool Pass” including tickets for The Rafa Play, Tania in the Getaway Van, and Washed Up on the Potomac is $60.
The Pool’s Tania in the Getaway Van is running at the Flea Theater’s new Tribeca home (located at 20 Thomas Street), thru December 16. General admission tickets are $25, reserved seats are $35, and a “Pool Pass” including tickets for Tania in the Getaway Van, Washed Up on the Potomac, and The Rafa Play is $60.
The Pool’s Washed Up on the Potomac is running at the Flea Theater’s new Tribeca home (located at 20 Thomas Street), thru December 16. General admission tickets are $25, reserved seats are $35, and a “Pool Pass” including tickets for Washed Up on the Potomac, Tania in the Getaway Van, and The Rafa Play is $60.
Jamie Aderski draws from her own experiences in pregnancy and motherhood with her one-woman show Cry Baby, now playing at the PIT thru November 10. She brings a raw (and hilarious) honesty to the subject of parenthood and shatters myths of childbirth, all while enjoying a bottle of wine on-stage. This week, she sat down with Ludus NYC to talk about her creative routine, the lies hidden in diaper commercials, and why Christopher Guest is her writing inspiration.