The Pool’s Washed Up on the Potomac is running at the Flea Theater’s new Tribeca home (located at 20 Thomas Street), thru December 16. General admission tickets are $25, reserved seats are $35, and a “Pool Pass” including tickets for Washed Up on the Potomac, Tania in the Getaway Van, and The Rafa Play is $60.
Don’t Feed the Indians, which opened November 3 at La MaMa’s Downstairs Theatre, is an examination of Native American character tropes and stereotypes through a series of vignettes. Some of the vignettes are comedic, taking on Pocahontas with a Keeping Up With the Kardashians-style reality show and recreating Native American carnival shows. Other segments veer into harsher realities, like a character recounting an academic accomplishment from his school days and the vicious sexual assault that followed.
Jamie Aderski draws from her own experiences in pregnancy and motherhood with her one-woman show Cry Baby, now playing at the PIT thru November 10. She brings a raw (and hilarious) honesty to the subject of parenthood and shatters myths of childbirth, all while enjoying a bottle of wine on-stage. This week, she sat down with Ludus NYC to talk about her creative routine, the lies hidden in diaper commercials, and why Christopher Guest is her writing inspiration.
Glassheart opened October 20 at the Access Theater, located at 380 Broadway. Tickets start at $5 with the “Five at $5” deal and are available for purchase in advance online here.
“In the empty living room of a shabby apartment, a Beast is crying. There is just enough light to see that he is monstrous, and clutching something precious to him.”
Soot and Spit, playing at the New Ohio Theatre through June 17, is a celebration of artist James Castle. He was born deaf and autistic, and in his lifetime, he developed a distinctive artistic style using found objects, drawing tools he created, and a mix of soot and spit.
The New York Drama Critics’ Circle Award winners were voted on and announced on May 8, and the awards were presented at a private ceremony on May 18 at Feinstein’s/54 Below.
Piehole’s Ski End, now playing at the New Ohio Theatre, has big ambitions. According to a note published in the program, the show is meant to explore “economic and environmental dread” and provide a “thoughtful alternative to the noise” of the current political climate. Lofty goals and admirable ones in this time, but are they successful?
The Tony Award nominees were announced on May 2 by Christopher Jackson and Jane Krakowski, and the awards will be presented at Radio City Music Hall on June 11, hosted by Kevin Spacey.
The Drama Desk Award nominees were announced on April 27 by Laura Benanti and Javier Muñoz, and the awards will be presented at The Town Hall on June 4, hosted by Michael Urie.
In the New York theatre world, deaf perspectives are severely under-represented. Shows like Deaf West’s Spring Awakening and the work by the New York Deaf Theatre are encouraging, but they are also anomalies. Theatre productions that fully integrate deaf, hard-of-hearing, and hearing people in the cast and creative teams are even more rare.
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